Last weekend I went to The Met for a birthday luncheon at the Dining Room and a stop to see The Harlem Renaissance and Transatlantic Modernism exhibit. I have three highlights I want to share, one about ticketing, two about art.
1. Long gone are the days of the small metal tag that folded over your collar. We’re now wearing scannable QR codes.

2. As I entered the exhibit, the first thing I saw was a book of Langston Hughes poetry, and it was open to the page “One-Way Ticket” (1949), a collaboration with the artist Jacob Lawrence, he recapitulated the theme with poetry that stresses the nationwide reach of the migration into cities other than Harlem.

One-Way Ticket
By Langston Hughes
“I pick up my life
And take it with me
And I put it down in
Chicago, Detroit,
Buffalo, Scranton,
Any place that is North and East—
And not Dixie.
I pick up my life
And take it on the train
To Los Angeles, Bakersfield,
Seattle, Oakland, Salt Lake,
Any place that is
North and West—
And not South.
I am fed up
With Jim Crow laws,
People who are cruel
And afraid,
Who lynch and run,
Who are scared of me
And me of them.
I pick up my life
And take it away
On a one-way ticket—
Gone up North,
Gone out West,
Gone!”
3. I discovered and fell in love with the work of Archibald J. Motley, Jr. who worked in oil on canvas using vibrant colors that bring the paintings to life.






The birthday lunch at the Dining Room was also fabulous! It was a quiet retreat from the hustle and bustle of tourists in exhibits.


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